Hans Sampath Blok (b. 1990, Sri Lanka) is a Dutch-Norwegian composer, conductor, and multi-instrumentalist based in Elverum, Norway. Over the course of ten years, he studied various aspects of classical music at the conservatories of Rotterdam, The Hague, Trondheim, and Oslo, obtaining his master’s degree in composition in 2017. His versatility as a musician has led him to explore a wide range of artistic projects worldwide, from traditional music and dance, to early music and contemporary art. Hans is currently researching how the philosophy and aesthetics of the art music of Sri Lanka, his country of birth, can bring new dimensions to his Western musical foundations.
Hans started composing at an early age, with his first piece, A Taste of Paradise, premiered by the Dutch Wind Ensemble at the Concertgebouw in Amsterdam after he won the Young Composers Competition in 2006. He enrolled at the Rotterdam Conservatory the following year, where his compositions gradually matured. His Sonatina won the jury prize at the Latvian Classical Music Festival in 2013, and he gained further recognition with GRACHT (2015) and WitchHunt (2016), which were performed at the Young Nordic Music Festival in Reykjavik and Umeå.
Primarily composing in an acoustic, score-written format, Hans often dramatizes events or themes surrounding anthropology, human rights, and environmental issues. He explores musical expression through the rhetorical use of articulation, rhythm, and dynamics. With a strong curiosity for cultural traditions, Hans has explored over fifty countries, studying their music and heritage. His current research on Sri Lankan music aims to further personalize his artistic voice.
In addition to composition, Hans studied classical trumpet, alongside trombone, horn, and euphonium. He later specialized in historical performance practices at the Royal Conservatory of The Hague, where he began playing the baroque trumpet, cornetto, and recorder, leading to collaborations with early music ensembles such as the Nordic Baroque Orchestra. Additionally, Hans finds great creativity and expressiveness through classical experimental improvisation, fully utilizing his flexibility as a performer and composer.
With extensive experience in performance practices, Hans expanded his work into conducting and ensemble coaching, leading projects both in Norway and internationally. He often incorporates choreography and thematic presentations to create rich, layered productions. As the founder and director of The Heritage Project, a community art initiative helping children create music-theatre performances rooted in their cultural heritage, Hans has worked in eight countries with refugees and indigenous communities since 2012. Additionally, he has led masterclasses in brass playing, conducting, composition, and improvisation, collaborating with orchestras and conservatories in Norway, Latvia, Malaysia, Ecuador, Sri Lanka, and the Netherlands.
Hans lives on an organic farm in Elverum, Norway, where he explores permaculture and nature restoration. He occasionally holds environmental workshops for children, often integrated with his community art projects. A lifelong nature enthusiast, Hans spends his free time on wildlife photography and birdwatching.
The yak is a species of long-haired cattle found throughout Central Asia. They are sturdy, heavily built animals, well adapted to high altitudes and low temperatures. In the Tibet-region yaks are used as beasts of burden. When farmers travel through steep mountain slopes to find new pastures for their cattle, the yaks carry equipment and household. Although the yak is a formidable animal, it can get frightened. When it senses danger, such as a change in the weather, it may turn around and cause all other yaks to stampede downhill. On narrow paths the outcome can be fatal.
The dynamic relation between the farmers and the yaks has inspired the creation of this work of music. As well as the traditional music of Tibet and Central Asia.
Composed in 2022
Commissioned by Bätz-Witte Concerts
Premiered by Schweelink Ensemble
Duration: 12 minutes
Instrumentation: Brass Quintet, Percussion, and Harmonium/Accordeon