As artistic director, Hans has collaborated with refugees and Indigenous communities around the world, promoting cultural heritage through projects that highlight traditional music, theatre, and dance. These collaborations have earned him several grants and awards, including the Prince Bernhard Culture Grant and the SpareBank 1 SMN Talent Stipend.
Currently, Hans is researching how the philosophy and aesthetics of Sri Lankan art music—his country of birth—can bring new dimensions to his Western musical foundations. He lives on an organic farm in Elverum, Norway, where he experiments with permaculture and ecological restoration. As a lifelong nature enthusiast, he spends his free time birdwatching and photographing the natural world.
The yak is a species of long-haired cattle found throughout Central Asia. They are sturdy, heavily built animals, well adapted to high altitudes and low temperatures. In the Tibet-region yaks are used as beasts of burden. When farmers travel through steep mountain slopes to find new pastures for their cattle, the yaks carry equipment and household. Although the yak is a formidable animal, it can get frightened. When it senses danger, such as a change in the weather, it may turn around and cause all other yaks to stampede downhill. On narrow paths the outcome can be fatal.
The dynamic relation between the farmers and the yaks has inspired the creation of this work of music. As well as the traditional music of Tibet and Central Asia.
Composed in 2022
Commissioned by Bätz-Witte Concerts
Premiered by Schweelink Ensemble
Duration: 12 minutes
Instrumentation: Brass Quintet, Percussion, and Harmonium/Accordeon